6 May 2021 (DAY 1)

6 May 2021 (DAY 1)

Note: All the time shown on the schedule are Hong Kong Time (HKT).

Opening
9:30 - 9:50Kwok-kan Tam
Dean of Humanities and Social Science,
The Hang Seng University of Hong Kong (HSUHK)

Shiru Wang
Associate Director, Centre for Greater China Studies,
The Hang Seng University of Hong Kong (HSUHK)
Session 1 (Face-to-face)
Moderator: Anna TSO (The Hang Seng University of Hong Kong)
10:00 - 11:45Demystify 21st Century Creativity, Innovation and Education through Film Analysis
David YIP
Hong Kong University of Science and Technology, Guangzhou


Humanistic Education in the Digital Age:
Empathy, Genuineness and Positive Regard in Online Teaching— A Survey on Hong Kong College Students

James YU
The Hang Seng University of Hong Kong, Hong Kong


Digital Learning Role (DLR) of Arts and Heritage Communication on Royal Ethnomusicology
of Nobat and Gamelan Istana Terengganu, Malaysia
(Online presentation)

Muhamad Fazil AHMAD
Universiti Sultan Zainal Abidin, Malaysia
Session 2 (Online)
Moderator: Kwok-kan TAM (The Hang Seng University of Hong Kong)
13:00 - 14:45Plenary Session: “Virtual Praxis and Theatre Research”

Virtual Praxis and Theatre Research: Textual Recovery
Joanne TOMPKINS
University of Queensland, Australia
Liyang XIA
University of Oslo, Norway


Virtual Praxis: Conducting Performance Research in Virtual Theatres
Julie HOLLEDGE
Flinders University, Australia


Stardust Orientalism, Virtual Praxis and Digital Construction:
“Madame Butterfly” on Ice at the Stardust Hotel, Las Vegas, 1959

Jonathan BOLLEN
UNSW Sydney University of New South Wales, Australia
Session 3 (Online)
Moderator: Paul FUNG (The Hang Seng University of Hong Kong)
15:00 - 16:45Large Datasets and Particularity of Art: Can There Be Any Art in the Deep Learning Age?
Ana PERAICA
Danube University Krems, Austria


Visual Art as Alternative Epistemological Approach
Myriam DAO
Independent Artist,
Architect and Independent Researcher, France


Archives and Museums in Decontextualized World of Digital
Sandra MALENICA
University of Zagreb, Croatia


Museums and Archives in the Age of Artificial Intelligence and Post-Representation
Yael EYLAT VAN ESSEN
Holon Institute of Technology; Tel Aviv University, Israel
Session 4 (Online)
Moderator: Shiru WANG (The Hang Seng University of Hong Kong)
17:00 - 19:00Implicit Heritage Values in Online Collection Databases:
Assessing the Presentation of Egyptian Artefacts in Art Museum Contexts

Eli McClain
University of Cambridge, UK


Do Museums Still Need Objects? Politics of Museums Reconsidered in the Digital Era
Wenrui LI
University of Oxford, UK


Van Gogh’s Universe in the Crossways of Audio-visual Arts and Digital Technologies:
a Comparative Case Study from an Intermedial Perspective

Fernando VALCHEFF GARCÍA
University of St Andrews, UK/
Universidad Nacional de Mar del Plata, Argentina


Luvv Bazar: Queer and Feminist Representation in Music Video after the Internet
Ryann Claire DONNELLY
University of Sussex, UK

7 May 2021 (DAY 2)

Note: All the time shown on the schedule are Hong Kong Time (HKT).

Session 5 (Online)
Moderator: Kwok-kan TAM (The Hang Seng University of Hong Kong)
9:00 - 11:00TimeStitch: Digital Database for Museum Studies Program
Alla MYZELEV
State University of New York at Geneseo, USA


The Carp Fairy in the Digitalized Chinese Theatre
Lily LI
Eastern Kentucky University, USA


Digital Operatic Precedents in Haruki Murakami’s Killing Commendatore
Neil H. WRIGHT
Eastern Kentucky University, USA


"This Is a Hard World!": Moral Personhood, Hope and Masculinity behind a Female Virtual YouTuber
Ibari ORTEGA
The Australia National University, Australia
Session 6 (Online)
Moderator: Patrick MOK (The Hang Seng University of Hong Kong)
11:15 - 13:00Rediscover the History of Digital Media Community in China
Pengan ZHOU
Rockcheck Time Culture and Creative Ltd., China


Computational Detection and Location of Peripeteias in Plays
Kin-Pou LIE
The Hang Seng University of Hong Kong, Hong Kong


Can STEM to STEAM Movement Come across in Hong Kong:
A Revolution from Arts Education to Humanistic Education?

(Online presentation)
Derek Wai Sun CHUN
The Education University of Hong Kong, Hong Kong
Siu Ho YAU
The Chinese University of Hong Kong, Hong Kong
Sze Ling HUNG
Hong Kong
Yan Tung LAU
The Education University of Hong Kong, Hong Kong
Session 7 (Online)
Moderator: Eva Hung (The Hang Seng University of Hong Kong)
14:00 - 15:30Theatrical Stage’s New Aesthetics In the Digital Age
Minghou LIU
Shanghai Theatre Academy, China

Cultural Diplomacy: An Analysis of National Film and Cultural Policy of Pakistan
Muhammad Ali FAROOQI
Quaid-i-Azam University Islamabad, Pakistan
Session 8 (Online)
Moderator: Paul FUNG (The Hang Seng University of Hong Kong)
15:45 - 17:45Human Subjectivity in the Digital Age: Deflating the Subjective Culture of Noise in the Face of Reality
Olatunbosun Samuel ADEKOGBE
Obafemi Awolowo University, Ile–Ife, Nigeria


Musical Narratives of Digitalised, Environmental and Nature Sustainability
in the Music of Akin Euba among the Yoruba of Nigeria

Falana GBENGA
Obafemi Awolowo University, Ile–Ife, Nigeria


Digitalized Popular Music as a Tool for Environmental Advocacy on Lagos Environmental Spaces
Olayinka GBEMILEKE
Obafemi Awolowo University, Nigeria


Mediation between The Digital Media and Orality in Fuji Music
Stephen Olabanji BOLUWADURO
University of Ibadan, Nigeria


The Construction and Maintenance of a Headword List
for Graded Readers in Cantonese, a Low-Resource Language

Chaak Ming LAU
The Education University of Hong Kong, Hong Kong
Session 9 (Face-to-Face)
Moderator: Rochelle YANG (The Hang Seng University of Hong Kong)
18:00 - 20:00Disambiguating Names of Chinese Historical Figures in Local Gazetteers Digitally
Lik Hang TSUI
City University of Hong Kong, Hong Kong


How Digital Platforms Facilitate Parody: Online Humor in the Construction of Hong Kong Identity
Charles LAM
The Hang Seng University of Hong Kong, Hong Kong


The Offshore Canon: Making A Preliminary Case for Pearl S. Buck’s Chinese Readers
(Online presentation)
Stuart CHRISTIE
Hong Kong Baptist University, Hong Kong
Tsz-huen KWOK
National Taiwan University, Taiwan


Sherlock Holmes in the Computer: Quantitative Stylistic Methods
Catherine WONG
The Hang Seng University of Hong Kong, Hong Kong

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